1572年8月圣巴托罗缪大屠杀导致一万多名新教徒死亡，十年后，一名幸存者让开始调查杀害他父亲和哥哥的凶手。他决定将这次调查拍成一部纪录片，在整个调查过程中都带着摄像机。在询问了主要目...

1572年8月圣巴托罗缪大屠杀导致一万多名新教徒死亡，十年后，一名幸存者让开始调查杀害他父亲和哥哥的凶手。他决定将这次调查拍成一部纪录片，在整个调查过程中都带着摄像机。在询问了主要目...

Vincent, a triumphant forty-something, is about to become a father for the first time. Invited to dinner at the home of Élisabeth and Pierre, his sister and brother-in-law, he reunites with Claude, a childhood friend. While awaiting the arrival of Anna, his eternally late wife, he is pressed with questions about his impending fatherhood, all in good humor... But when Vincent is asked if he has already chosen a name for his unborn child, his answer plunges the family into chaos.

毫无疑问，渔业是未来的重大挑战之一。它从未在全球公民的粮食供应和收入方面发挥过如此重要的作用。然而，尽管鱼类本质上是一种“可再生”资源，但令人震惊的警告接连不断，预示着这个岌岌可危的世界将迎来最黑暗的未来：到2050年，鱼类将不复存在，届时渔民将失业，相关工作岗位消失，许多依赖海洋资源的国家将面临粮食危机。 　　人类是否正不可避免地走向资源枯竭，还是有能力通过变革自救？该行业正在开发的尖端技术是有助于保护渔业资源，还是会再次加速灾难的到来？ 　　这部影片结合历史背景、当前渔业现状和生态担忧，试图解读一个全球体系的运作机制——这个体系在自我毁灭方面的“效率”前所未有。 　　从欧洲海岸到非洲海岸，影片通过接触渔民、研究人员、企业家和活动家，呈现了全球渔业的全景，并探讨了我们是否有能力实现真正“可持续”的捕捞。

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特吕弗《隔墙花》的原版电视剧

A young man comes back to his hometown to be confronted with a bourgeois obnoxious family who has always despised his -now dead - parents because they were music hall artists, "entertainers". But because he's the sole legatee of an uncle's fortune, his relatives become friendly with him.. at least for a while.

A weekly Canadian television newsmagazine series. The show is anchored by Alain Gravel, and includes contributions from journalists Hélène Courchesne, Josée Dupuis, Sylvie Fournier, Guy Gendron, Normand Grondin, Solveig Miller, Madeleine Roy, Françoise Stanton, Pascale Turbide and Julie Vaillancourt.